The Digging into JRA blog authors’ opinions are not necessarily identical to those of the featured JRA volume contributors.
Following the discovery of the elephant mosaic panel in a synagogue at Huqoq (Israel), the academic world was in need of a refresher, or even a clarifier, as scholars from many parts of the world set out to interpret the sensational find.
Before the excavation team members could publish their own findings and possible interpretations in a scholarly setting, a flurry of initial interpretations spread around the Internet (and the world) following an image of the mosaic that was briefly featured on the National Geographic Society’s website in the context of a publicity interview with Jodi Magness, the project director. It was at the start of May 2017 when Magness became aware of an academic article by Asher Ovadiah and Rosario Pierri, two scholars completely unaffiliated with the project, in which they offered their own interpretation of the Elephant mosaic panel based on the aforementioned image featured online. Well before that date, however, much discourse about the mosaic had already circulated in the news, on blogs, at conferences, and even in print publications in locations as remote from North America as Russia. Ever since a preliminary report on a section of the Elephant panel was published in JRA back in 2014 when the mosaic first began to be uncovered, Nina Braginskaya of the Russian State University for the Humanities has been persistently disseminating her research both in print and online. Her ideas were featured in at least 2 Russian anthologies and an unidentifiable number of conferences, some of them international. A number of Russian-Israeli blog and news websites have further voiced their views on what they considered the likeliest interpretations, alongside unauthorized images of the panel, quoting Braginskaya and other scholars such as Mikhail Korol.
These developments were the reason for JRA’s offer to publish the official Huqoq team’s report as soon as possible. It was with the aim of calling for a certain set of rules to ensure responsible behavior by scholars in the increasingly digitizing academic world that JRA consented to proceed rapidly with publication of the text in the form that its authors desired. As John Humphrey warns in JRA’s Editorial Preface to the Supplement “The Elephant mosaic panel in the Synagogue at Huqoq: official publication and initial interpretations”,
“If archaeologists working on a legal excavation have to be constantly on guard against unauthorized photographs being taken on site, or if they must decline to give initial information to the local department of antiquities or to share significant discoveries with bona fide news organisations, and must even seek to conceal important discoveries until their own scholarly publications have appeared in print, then the long-accepted norms under which excavations have always operated will be destroyed, access by visitors to ongoing excavations will be denied, and all those interested in the past will be the poorer for it” (JRA S106, p. 8).
With the intense digitalization of academic and non-academic spheres alike, establishing an “honour code” with respect to the publication of new discoveries can be particularly difficult:
“It would seem that the protocol for what other scholars may do with original material that somehow appears on a website, whether as part of a news release given to the press by those responsible for the discovery, a news release put out by the home university or other sponsoring institution of the project in question, or simply as a photograph taken on an archaeological site by a visitor without permission, has not been clearly delineated. With the demand for open access and the expectation for instant announcements of brand new discoveries, it may be time for the major archaeological bodies to draw up accepted rules of behaviour with respect to the publication rights pertaining to new discoveries” (JRA S106, p. 8).
Indeed, the line is very thin between uploading a picture online and “publishing” it, if the prevailing assumption is that once something is made publicly available, anyone is free to write his or her own academic article about it. Yet crossing this line implies threatening a long-observed principle:
“That principle is that the archaeologists engaged in an authorized excavation have both the responsibility and the exclusive legal right to provide, within a reasonable period of time, the first scholarly publication of their own discoveries.”
In the case of the brand new discovery of the Elephant panel, this principle was clearly violated.
In light of what has been occurring, JRA cynically anticipates that unauthorized parties will post a scan of the (copyrighted) supplement on the Internet as well. We ask those considering such a wrongdoing first at least to read the full version of our editorial preface, and then kindly to purchase the full book: http://journalofromanarch.com/order.
Food for thought:
- What is your definition of a “published” image or text?
- Is an image posted on social media to be considered “published”?
- How can we protect the archaeologists’ rights against unauthorized photographs appearing online?
- Is it better for archaeologists not to release photographs of their major discoveries until they have had them officially published?